Emma And The Theme Of Encounters With Strangers - 1264 Words

Carter Waller ENG 327 Professor McAllister Assignment Two 10/28/2015 Emma and the Theme of Encounters with Strangers Jane Austen’s Emma is a novel dominated by obvious themes like romantic love, gender roles, and family. These themes structure the novel wholly, but deeper down, there are less noticeable themes that are significant in themselves. In Emma, the overlooked theme of characters’ encounters with strangers plays a critical role because of its addition to the reader’s perspectives to multiple aspects of the novel. Encounters with strangers are important because, first, it demonstrates that strangeness, when unsettling the conditions of society’s communication, makes familiarity more attractive to an individual. Second, after evaluating the society’s treatment of strangers in the setting of the town of Highbury, it becomes clear that the theme and novel endorse a conservative, simple society. The instances of encounters with strangers in Emma are used to manipulate the reader in order to convince them that Highbury’s entire society needs new faces or new news to gossip about. Upon evaluating Emma’s two most prominent strangers, Frank Churchill and Jane Fairfax, and their encounters amongst society highlight the importance of which positive qualities are more attractive when temporary, and which qualities are more attractive over time. First, the theme of encounters with strangers in Emma is dictated largely by the scenes where Frank Churchill or Jane Fairfax holdShow MoreRelatedEpekto Ng Polusyon19213 Words   |  77 Pages2004). Research suggests that domestic violence occurs within a context of coercive control because of male attitudes and beliefs in the rightness of male dominance and control over women (Johnson, 2001). Dobash Dobash (1998) reveal four general themes: men’s possessiveness and jealousy, disagreements and expectations regarding domestic work and resources, men’s sense of their right to punish ‘their’ women for perceived wrongdoing and the importance to men of maintaining and exercising their powerRead MoreMetz Film Language a Semiotics of the Cinema PDF100902 Words   |  316 Pagessur la signification au cinema—TRANSLATOR. ** Except in one case, where the repetitive passage was too long and was removed, the reader being informed of this deletion in a footnote. †  It is principally in Chapters 3, 4, and 6 that the reader will encounter these rather exhaustive notes. This is especially true of Chapter 3, The Cinema: Language or Language System? which is the earliest of the articles reprinted  ´ xi xii PREFACE On the other hand, I have allowed myself to make various minor corrections